Nashville 112 is a winner!

Amplifiers, effects, pickups, electronic components, wiring, etc.

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Ron Pruter
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Nashville 112 is a winner!

Post by Ron Pruter »

I just got my first gig since covid days. (6 years ago) I'm playing another Always, Patsy Cline run of 32 shows. I just wanted to say my amp sounds better through the house than anything I've ever had. I have the amp blasting me right in the face and control that volume with the master gain control. I send the direct out through the XLR and set their volume with the pre-gain. When I mess with the master gain, it doesn't effect the house at all. I can even turn the amp/monitor, off using the master vol. and check out the house sound with out effecting the house sound. I'm i n control!!!They are also getting my eq and effects because the XLR output is post pre-amp.
BTW, I got the information on how to do this on this here forum. Thanks ya'll. I'm a happy camper. Now, @ 76 years old, I hope I can stay together long enough to finish the gig. I've two others in line to take over if I have to bow out. :oops: Ron
Emmons SKH Le Grande, Tick tack bass, Regal high strung, USA Nashville 112.
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gary pierce
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Re: Nashville 112 is a winner!

Post by gary pierce »

When it sounds great it makes you enjoy the shows more. :D
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Dennis Detweiler
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Re: Nashville 112 is a winner!

Post by Dennis Detweiler »

Good is good. I'm 77 and still playing, so stay above ground!
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Revelation preamp, Ibanez Analog Mini Delay and Hall Of Fame Reverb, Crown XLS 1002, 2- 15" Eminence Wheelhouse speakers, ShoBud Pedal, Effects Pedals. 1949 Epiphone D-8.
Chris Brooks
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Re: Nashville 112 is a winner!

Post by Chris Brooks »

Ron, and others: I love my 112 ! Only one problem in many years and many gigs: turned out to be a broken power cord!

I played Always Patsy last summer--25 shows--and it sounded great. I had the crew mic it rather than running direct. BTW I was 81.
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Richard Sinkler
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Re: Nashville 112 is a winner!

Post by Richard Sinkler »

I like mine too. It has a TT12 neo speaker. But my "go-to" amp is still my 1984 Nashville 400 in a head cabinet with the BW 1502-4 in a speaker cabinet. If I go to rehearsals or some gigs where I don't want to make 2 trips for an amp into and out of the venue, I'll use the 112.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .

Playing for 55 years and still counting.
Chris Brooks
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Re: Nashville 112 is a winner!

Post by Chris Brooks »

Richard, you have a great amp in the 400! My 112 suffices for all my gigs: most clubs I play in mike the steel. My "small" amp for basic practice sessions, etc. is a Cube 80.

You're in Missoula? I spent 4 years there. Give my regards to the Wilma . . . and the Higgins Ave. bridge!
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Richard Sinkler
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Re: Nashville 112 is a winner!

Post by Richard Sinkler »

Chris Brooks wrote: 26 Jan 2026 8:03 am Richard, you have a great amp in the 400! My 112 suffices for all my gigs: most clubs I play in mike the steel. My "small" amp for basic practice sessions, etc. is a Cube 80.

You're in Missoula? I spent 4 years there. Give my regards to the Wilma . . . and the Higgins Ave. bridge!
I mic my 400 too, as well as the 112. I like them both. I mic them with all the bands I work with. I just think the 400 is warmer sounding. I don't play any louder than when I use the 112. I want to try using the 112 amp into the 15" 1502 I have and see how it sounds. Of course then I have to carry both the cabinet and the 112 into and out my apartment, into and out of the venue. The pain in my back just shot up to 12 just thinking about it. :lol:

Never been to the Wilma, but it's still hosting concerts (I hate downtown). In town here, I usually play at the Union Club (unfortunately downtown - sometimes have to park as much a 1/4 mile away after loading in from the alley in back of the club, which we can't block) or the Sunrise Saloon. The Higgins Street Bridge got "reconstructed" in the last couple of years. It is now the "Beartracks Bridge.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .

Playing for 55 years and still counting.